Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. |
diss. |
| | 1993 |
|
|
| 2. | Bioules, Agathe | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. |
diss. |
| | 1993 |
|
|
| 3. | Williamson, Barry Scott | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). DMA diss., The University of Texas at Austin, 1993, 107p |
diss. |
| | 1993 |
107p |
|
| 4. | Heyder, Bernd | Die motettischen Sätze in Bachs Kantatenwerk. Magisterarbeit der Philosophischen Fakultät der Universität Köln. - Köln: 1993. 110 S. PC-Druck |
diss. |
| | 1993 |
110p |
|
| 5. | Claus, Rolf Dietrich | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p. |
diss. |
| | 1993 |
125p |
|
| 6. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] |
diss. |
| | 1993 |
126p |
|
| 7. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p |
diss. |
| | 1993 |
133p |
|
| 8. | Harlow, Julia Tikker | A musician's introduction to Baroque dance. DMA doc., U. of Oregon, 1993. 139p. |
diss. |
| | 1993 |
139p |
|
| 9. | Tannenbaum, Michele Horner | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. PhD diss.: Kent State University, 1993, 163p |
diss. |
| | 1993 |
163p |
|
| 10. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088 |
diss. |
| | 1993 |
163p |
|
| 11. | Charron, John P. | Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. DMA diss., Performance, Juilliard School, 1993. 186p |
diss. |
| | 1993 |
186p |
|
| 12. | Wyatt, Susan Beth Masters | Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. DMA doc.: U. of North Texas, 1993, 187p |
diss. |
| | 1993 |
187p |
|
| 13. | Covington, David Lee | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. |
diss. |
| | 1993 |
189p |
|
| 14. | Mundt, Frank | Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. PhD diss., Musicology, Humboldt-Universität, Berlin, 1993. 199 Bl |
diss. |
| | 1993 |
199p |
|
| 15. | Reynolds, Robert Lee | The Bach Sinfonias: A Guide to Analysis and Performance Planning. Univ. of Kentucky, 1993. 234p |
diss. |
| | 1993 |
234p |
|
| 16. | Mains, Ronda Miller | An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. DMA doc., U. of Oregon, 1993. 281p. UMI No. DA9402035. [BWV 1030, 1032, 1034, 1035, 1079] |
diss. |
| | 1993 |
281p |
|
| 17. | Reich, Wieland | Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. PhD diss., U.-Gesamthochschule Siegen, 1993 - Saarbrücken: Pfau, 1995. 297p. ISBN: 3-930735-21-0. |
diss. |
| | 1993 |
297p |
|
| 18. | Hicks, Eric Michael | A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. DMA doc., U. of Texas, Austin, 1993. 317p. UMI No. DA9400833. |
diss. |
| | 1993 |
317p |
|
| 19. | Sysoeva, Alla | Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. [Programmatic elements in instrumental music of the Baroque period: Problems of typology of national schools] PhD diss., Music theory: Gosudarstvennaja Konservatorija, Moskva, 1993. Moskva: Rossijskaja Akademija Muzyki imeni Gnesinyh, 1993. 48p |
diss. |
| | 1993 |
48p |
|
| 20. | Austin, Jack Vosseller | Johann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p |
diss. |
| | 1993 |
53p |
|
| 21. | Dube, Michelle Claire | 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. DMA doc., University of Arizona, 1993, 57p |
diss. |
| | 1993 |
57p |
|
| 22. | Kitchens, Melinda Leunette | Free polyphonic texture in selected early piano works of Robert Schumann. DMA doc., U. of Alabama, 1993. 59 p. |
diss. |
| | 1993 |
59p |
|
| 23. | Wollny, Peter | Studies in the Music of Wilhelm Friedemann Bach: Sources and Style. PhD. diss. Harvard University, Cambridge Mass. 1993. ix, 546, [75] Bl. [p. 414-546: Werkverz.] |
diss. |
| | 1993 |
637 Bl |
|
| 24. | Hasse, Michaela | Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts von Michaela Hasse. - Münster, Univ., Schriftl. Hausarb., 1993. 82, [35] Bl. |
diss. |
| | 1993 |
82, 35 Bl |
|
| 25. | Lyman, Kent Marvin | George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. DM doc., Indiana U., 1993. 90p. [BWV 795] |
diss. |
| | 1993 |
90p |
|
| 26. | Coetzee, Vernon George | Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). MM thesis, U. of Cape Town, 1993. x,359p |
diss. |
| | 1993 |
x, 359p |
|
| 27. | Derry, Lisa Anne | The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. PhD diss., Theory, Indiana University, 1993. xii, 243p. |
diss. |
| | 1993 |
xii, 243p |
|
| 28. | Botelho, Mauro | Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048] |
diss. |
| | 1993 |
xvii, 589p |
|